A review of another student's work. She was in masters, and spent about €700 from memory making this... she did get sponsorship however, and in the end sold it, so it was very successful!
Number 69 (Pipes)
Reminiscent
of pieces by Matthew Warren and perhaps even M.C. Escher, Number 69 (Pipes)
appears to defy structural and logical laws, as it seemingly twists and bends
for infinity within the strict confines of an invisible box. Number 69 is a
stunning example of an everyday, industrial, and often hidden object, turned
into something beautiful.
Created
by welding and bending together small pieces of pipe in a manner similar to
those executed by Matthew Warren, Number 69 appears to almost rise up from the
ground in an elegant symphony of seemingly floating pieces. This is enhanced by
the shadows created on the ground: linear webs of beauty that make it appear as
if the solids of the piping are dissolving into the semi-transparent fragility
of a shadow, and floating away. The structural load has been distributed across
the piping pieces, creating a freestanding, ethereal cubic form with pieces
that seem to individually defy gravity. This box-like form is perhaps
metaphorical, showing the connections within a brain, the thoughts trapped
within a box, bursting to get out.
The
confined chaos within the rigid structure of the box could also be related to
the bending of perception. Generally, we think of pipes as linear and
functional objects, however within Number 69 they are flowing and beautiful. Pipes
of different diameters are also used, creating flow in all directions:
vertically through the bending of the pipes, and horizontally through the
constantly varying sizes. Moreover, the careful joining of the pieces creates
what appears at first sight to be one continuous, flowing line of piping, which
seems to go on for infinity and is almost optical illusion like in quality,
calling up images of M.C. Escher’s illusionistic and impossible drawings.
Number
69 is successful because it not only brings to mind many conceptual ideas, but
also causes the viewer to question how the artist managed to form such a
structure. One can clearly see the effort put into this piece, and can imagine
that many drawings that would have been produced prior to its construction.
Perhaps even calculations and a CAD model were made, similar to the workings of
Matthew Warren. This piece appears almost perfect, but some of the pipes are
still off-colour, and some solder has run down them and stuck to the floor.
This human error perhaps even adds to the piece however, reminding us of the
pipes’ industrial links.
Generally
hidden between wall planes and flowing with waste, pipes are not usually regarded
as the most attractive of objects, rather they are seen as fairly industrial.
However, through an equally rough and manufactured process of welding, bending
and shaping the pipes, Number 69 defies the notion of what a pipe should be,
and instead creates something more abstract and beautiful.
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